Some notes on Wedding Photojournalism

“Wedding Photojournalism” was defined in the 1980s as taking photographs of genuine, non-posed coverage: moments captured, the telling of the actual story rather than a series of arranged concoctions.

 

Wedding photojournalists are reporters, followers who quietly observe and quickly document without manipulating the scene or subject.

 

Wedding photography isn’t about taking photographs, it’s about people. It’s about capturing memories, and then presenting them to your clients (normally in an album with different sized photographs and layouts). Every Wedding is an opportunity to document the human experience and the personalities of two unique families coming together.

 

Before the Wedding

Arrive at the bride’s house early before the wedding. Set the time in advance with the bride and be punctual – you don’t want to add the stress of the day by making her worry about your being a no-show.

 

A higher-speed Black-and-white film is perfect for the hours of preparation just before the Wedding. It allows you to focus on the emotion and avoid being distracted by other colours in the room.

 

B/w film also allows each person to interpret the final image in his or her own way as there’s nothing drawing the eye away from the emotion of the scene.“The real emotion of the day will often be captured in Black and White” – based on Photojournalism, of course

 

The Ceremony

When it comes to shooting the ceremony, many photographers rely on the same standard, clichéd checklist of poses: the walk down the aisle, the bride and groom at the altar, the ring exchange, the communion, and the kiss, just to name a few. But in fact, the ceremony is at the epicenter of the wedding day; it is filled with emotion and your goal is to document each priceless moment. So let’s make it our challenge to capture images so unique they’ll require a second album of just the ceremony.

 

Formals

Most brides and grooms will want at least a few posed formals, and it’s your job to give them what they want. Even if you plan to take only nontraditional images, you have to understand the rules of formal portraiture before you can break them, just as you have to understand exposure and depth of field to create the finest avant-grade images.

 

The Reception

The reception isn’t just an event, but a celebration of family. It deserves far more than a few standard images. You have to capture the feeling of the moment, of families coming together. The bride and groom will remember so little from the reception. It’s the photographer’s job to thoroughly document the event.

 

Extracts from Cantrell, Bambo and Cohen, Skip (2000) “The Art of Wedding Photography” Watson-Guprill